Top Topics


Please join us on these social networks:

Day1 Store

Books, CDs, Videos & more

Visit The Store

The Passionate Jesus

Day1 host Peter Wallace's new book on the emotions of Jesus is, according to Marcus Borg, “An illuminating and powerful personal meditation." Ideal for personal or group study.

Buy Now

Bishop Kenneth Carter Bishop Kenneth Carter

The Rev. Dr. Kenneth Carter is Bishop of the Florida Conference of the United Methodist Church, headquartered in Lakeland, FL.

Member of:

United Methodist Church

Representative of:

Florida Conference of the United Methodist Church

the longings of a crazy heart

February 26, 2010
I knew I would want to see Crazy Heart when I learned of T Bone Burnett's association with the music. The idea of a country musician as the main character was also intriguing, and the presence of Robert Duvall in the film took me back to the classic Tender Mercies. I watched Jeff Bridges receive the best actor award from the Screen Actor's Guild, and I had a growing sense that this would be a special movie. It is. One does not have to appreciate roots music to enjoy Crazy Heart, but it helps. Bad Blake has hit bottom, personally and professionally, but the music is a constant, and in T Bone Burnett's hands the sound is pitch perfect. Performing in a bowling alley to a gathering of fans who know the words to every lyric, Bad (Bridges) makes it through the set, but one has the sense that life cannot continue in this way. It gets better--he reconnects with a performer, now a star, whom he had earlier mentored---their relationship personifies the gulf between commercially viable and artistically credible country music, and both sides understand the unfairness of it all. Bad's relationship with a younger woman, a journalist at work on a story about him, is a motivation for his mostly successful attempt at rehabilitation. Without giving away too much of the plot, I loved the ambiguity of their friendship/romance; in this respect Crazy Heart is both like and unlike Tender Mercies. The latter was also about a musician who hits bottom and meets a woman whose influence is redemptive. The outcome, however, is slightly different, and I will allow you to watch the film and reflect on that for yourself. In each film, the ending was appropriate, holding in tension the realities of wounding and healing, loss and love, falling and flying. It is also true that in each film the music not only serves as background music, but carries the narrative thread of the movie. In Crazy Heart, "Hold On You" conveys Bad's inability to grasp what he is most in need of; "Falling and Flying" reflects on our temptation toward self-destruction; and the theme expresses the world weariness of Bad's pilgrimage through the desert. It is a hard life, from beginning to end, and what helps us through to the other side is the music, which voices the longings of a crazy heart. For this reason and many others, I love this movie.
Printer print
Comment comments

Topic Tags

No current tags

Previous Article By This Author

"fargo" and the winter olympics

Previous Key Voice Article

Spiritual Stability

Next Article By This Author

overwhelmed and undernourished

Next Key Voice Article

Skyping with God

The sermon content on this website is copyright © by the respective authors. For information on reprinting or excerpting sermon materials from this site, please contact us.