overwhelmed and undernourished

The Rev. Dr. Kenneth Carter (UMC)

At the heart of the biblical story is a meal.  Israel tells its story at the Passover meal, one of deliverance from slavery and entrance to the promised land (Exodus 12).  Jesus shares this Passover meal with his own disciples (John 13), and commands them to eat this meal in remembrance of him (Matthew 26).    Jesus feeds the multitudes (John 6), eats with sinners (Luke 15), and shares a mysterious meal with two of the disciples on the way to Emmaus (Luke 24).  The first Christians break bread together with glad and generous hearts (Acts 2).  Later, there are abuses in the practice of the Lord's Supper (1 Corinthians 11). One of the most misunderstood concepts in Christian faith and practice, the reference to eating the Lord's Supper in an unworthy manner, referred to the experiences of gluttony and poverty at the common meal.  The Christian hope was also shaped by the expectation of a Messiah who would preside over a great banquet (Luke 14). 

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the longings of a crazy heart

The Rev. Dr. Kenneth Carter (UMC)
I knew I would want to see Crazy Heart when I learned of T Bone Burnett's association with the music. The idea of a country musician as the main character was also intriguing, and the presence of Robert Duvall in the film took me back to the classic Tender Mercies. I watched Jeff Bridges receive the best actor award from the Screen Actor's Guild, and I had a growing sense that this would be a special movie. It is. One does not have to appreciate roots music to enjoy Crazy Heart, but it helps. Bad Blake has hit bottom, personally and professionally, but the music is a constant, and in T Bone Burnett's hands the sound is pitch perfect. Performing in a bowling alley to a gathering of fans who know the words to every lyric, Bad (Bridges) makes it through the set, but one has the sense that life cannot continue in this way. It gets better--he reconnects with a performer, now a star, whom he had earlier mentored---their relationship personifies the gulf between commercially viable and artistically credible country music, and both sides understand the unfairness of it all. Bad's relationship with a younger woman, a journalist at work on a story about him, is a motivation for his mostly successful attempt at rehabilitation. Without giving away too much of the plot, I loved the ambiguity of their friendship/romance; in this respect Crazy Heart is both like and unlike Tender Mercies. The latter was also about a musician who hits bottom and meets a woman whose influence is redemptive. The outcome, however, is slightly different, and I will allow you to watch the film and reflect on that for yourself. In each film, the ending was appropriate, holding in tension the realities of wounding and healing, loss and love, falling and flying. It is also true that in each film the music not only serves as background music, but carries the narrative thread of the movie. In Crazy Heart, "Hold On You" conveys Bad's inability to grasp what he is most in need of; "Falling and Flying" reflects on our temptation toward self-destruction; and the theme expresses the world weariness of Bad's pilgrimage through the desert. It is a hard life, from beginning to end, and what helps us through to the other side is the music, which voices the longings of a crazy heart. For this reason and many others, I love this movie. Read full article...